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Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on countersubject, bridge, and ways to construct a response/answer (in a fugue).

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on the tonal answer and ways to construct it.

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on the tonal answer and countersubject.

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on the sentence (in music theory), Binary form, and Ternary Form.

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on Binary, Ternary, and Rounded-Binary forms.

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on Binary form, phrase-level analysis, and tendency tones.

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on phrase-level-analysis and Haydn's Sonata No. 37.

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on countersubject, episodes, and non-chord-tones.

Theory 3-4 is an advanced class in music theory (second semester, following Theory 1-2). In this document, I provide my notes on the Sonata Form, including many of its parts and further details.