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ENG225 Exam Study Guide Solutions 180-degree rule - ANSWER-Principle wherein the camera is kept on one side of an imaginary 180- degree line drawn between the two main characters or groups in the scene, which helps the audience know who is looking at whom in a scene. actor - ANSWER-A person who...

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ENG225 Exam Study Guide Solutions


180-degree rule - ANSWER✔✔-Principle wherein the camera is kept on one side of an imaginary 180-

degree line drawn between the two main characters or groups in the scene, which helps the audience

know who is looking at whom in a scene.


actor - ANSWER✔✔-A person who plays a character in a film or play, interpreting a character that a

writer has created, under the guidance of a director.


allegory - ANSWER✔✔-A metaphoric, symbolic story or passage in a story that tries to teach the

audience a lesson by association, such as a parable, fable, or fairy tale, often with physical things

representing abstract ideas. In films, this often means that something in the plot stands for something

else in the real world.


antagonist - ANSWER✔✔-A character who works against the protagonist in a story.


archetype - ANSWER✔✔-A recognizable type of character, motif, or plot formula that expresses aspects

of human nature considered universal and timeless, and that has been used by storytellers over many

generations.


art house - ANSWER✔✔-A movie theater that shows "art" films, including independents, foreign films,

revivals of classics, and non-mainstream movies. Art house movies are typically made on small budgets

and tend to be serious, thoughtful fare.


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aspect ratio - ANSWER✔✔-The ratio of a picture's width to its height, determining the shape of the

rectangular screen; the most common aspect ratios for movies are 1.33 (4:3) for standard-definition

television and pre-1953 films, 1.85 for post-1953 non-anamorphic widescreen films, and 2.35 to 2.4 for

anamorphic CinemaScope widescreen films. A few other aspect ratios that have had significant usage by

theatrical films at various times include 1.18, 1.66, 1.75, 2.0, 2.2, and 2.55. High-definition television

uses a 1.78 (16:9) aspect ratio.


audition - ANSWER✔✔-The process of an actor "trying out" for a role, performing short scenes to let a

director or casting director see how well he or she can do; an audition can be accomplished either by

submitting tapes or by trying out in person.


auteur theory - ANSWER✔✔-A theory of film criticism, popularized in France during the 1950s, that

treats the director of a film as its primary author. In certain cases, a particularly influential producer or

screenwriter may also be considered an auteur filmmaker.


auteurist approach - ANSWER✔✔-Analysis that looks at a film as part of its director's overall body of

work instead of as a single entity.


automated dialogue replacement (ADR) - ANSWER✔✔-Computer-based post-production process for re-

recording dialogue that for some reason is unsatisfactory.


backstory - ANSWER✔✔-Elements of a film's story that do not appear in the plot. Actors often try to

imagine what happened to their characters before the plot began, creating an elaborate backstory

(which may or may not be based on the writer's original ideas), and may research similar real-life people

to help them understand a character's motivations.


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benchmarks - ANSWER✔✔-Certain standards and elements that are criteria for measuring something.


bit part - ANSWER✔✔-A short character appearance with few or no lines, rarely more than a day's work

for the actor.


blockbuster - ANSWER✔✔-ometimes used to describe a film that costs a lot to make; more often

itdescribes a film that makes a lot of money at the box office.


character actors - ANSWER✔✔-Actors who specialize in playing a wide variety of characters, most often

supporting or minor roles rather than leading roles.


cinematography - ANSWER✔✔-The process of photographing motion; a movie's director of photography

is called a cinematographer.


conflict - ANSWER✔✔-An essential element of any story, the disagreement or confrontation between

characters or between a character and his surrounding or situation. An obstacle to a character's goal.


contextualist approach - ANSWER✔✔-Analysis that treats a film as within a broader context rather than

as an isolated unit.


continuity editing - ANSWER✔✔-Advance planning of shots so that cutting to different camera positions

will maintain the illusion that everything is happening in a continuous time and space, and the audience

will not become confused; sometimes called invisible editing.




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