Exam (elaborations)
ARC 308 Test -1 Multiple Choice (Graded A)
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ARC 308 Test -1 Multiple Choice
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ARC 308 Test #1 Multiple ChoiceIn iithe iilecture iion ii"Sensual/Visual iiForm" iiwe iidiscussed iithe iidifferent iimotives iifor
iicreating iibeauty iiin iithe iibuildings iiwe iilooked iiat. iiWhich iiof iithe iifollowing iibest
iimatches iimotive iiand iibuilding iifor iisome iiof iithese iiexamples? ii- iiAnswers ii-Answer:
iiThe iimotive iifor iithe iiTaj iiMahal iiwas ii"grief"- iithe iimourning iifor iia iibeloved iiwife iiwho
iidied iiyoung. iiThe iimotive iifor iithe iiSydney iiOpera iiHouse iiwas ii"Nationalism"- iithe
iiexpression iiof iipride iiin iia iiplace iiand iiculture.
Which iiof iithe iifollowing iiclearly iihave iiforms iibased iiin iiNature/Biology/Organisms ii(even
iithough iithey iimay iinot iihave iibeen iishown iiin iithe iilecture iion iithat iitopic)? ii- iiAnswers ii-
Answer: iiFoam iiHouse, iiChapel iiat iiRonchamps, ii"Dipoli" iistudent iiunion
The iiU.S. iiPavilion iiat iiEXPO iiin iiMontreal iiwas iinoted iiin iithe iilecture iion
iiNumbers/Mathematics/Geometry iias iian iiexample iiof: ii- iiAnswers ii-Answer: iiGeometry
iiused iito iiaccomplish iisignificant iistructure iiefficiencies iiin iian iiinnovative iiway iiOR iiits
iispherical iiform iimade iiup iiof iimany iilinear iipieces iiassembles iiin iipolygonal iimodules
iiachieves iinotable iistructural iifeats iiusing iipure iigeometries.
We iilooked iiat iiseveral iibuildings iiin iithis iisegment iion iiForm iiby iiLe iiCorbusier. iiWhich
iiof iithe iifollowing iiis iiNOT iian iiaccurate iireflection iiof iicomments iimade iion iihis iiwork iiin
iiclass? ii- iiAnswers ii-Answer: iiLe iiCorbusier's iidormitory iiat iiBryn iiMawr iiCollege iiis iia
iigood iiexample iiof iian iiintellectual iiexpression iiof iiorder iiw iithree iisquare iivolumes
iiinterlocked iiat iitheir iicorners. ii(Was iidesigned iiby iiLouis iiI. iiKahn)
Which iiof iithe iifollowing iibest iidescribes iisources iiof iiform iifor iiSt. iiIgnatius iiChapter iias
iidescribed iiin iithe iilast iilecture iiof iithis iisegment? ii- iiAnswers ii-Answer: iiIts iicombination
iiof iirectilinear iiand iifluid iiforms iiindicate iiorigins iiof iiform iiboth iiin iimathematics/geometry
iiand iinature/biology/organisms.
In iithe iichapter iion ii"Rhythm iiin iiArchitecture" iiRasmussen iiused, iias iione iiof iihis
iiexamples, iithe iiGlass iiShow iiFrank iiLloyd iiWright iidesigned iiin iiSan iiFrancisco ii(which
iihas iisome iielements iiin iicommon iiwith iithe iiGuggenheim iiMuseum iiby iiWright iithat iiwe
iilooked iiat iiin iiclass). iiWhich iiof iithe iifollowing iibest iidescribes iihim iiobservations? ii-
iiAnswers ii-Answer: iiThe iispace iiis iimore iigeometric iithan iirhythmic. iiThough iicomposed
iiof iirounded iiand iicurving iiforms iiall iirelated iito iieach iiother, iithere iiis iino iinatural iirhythm
iiflowing iithrough iithem.
, In iihis iichapter iion ii"Daylight iion iiArchitecture" iiRasmussen iirefers iito iithe iilight iiquality
iiin iithe iiChapel iiat iiRonchamps iiby iiLe iiCorbusier iiwhich iiwas iialso iishown iiin iiclass.
iiWhich iiof iithe iifollowing iidescribes iithe iilight iiquality iiof iithat iibuildings iiinterior? ii-
iiAnswers ii-Answer: iiDaylight iiis iiintroduced iiin iinumerous iiinteresting iiways iicreating iian
iioverall iieffect iiof iishadowed, iidimness iithrough iiindirect iilighting. iiFor iiexample, iia iivery
iithick iiwall iipierced iiby iimany iiopenings iiof iiunequal iisizes iicasts iireflected iilight iiinto iithe
iidim-lit iiroom
In iihis iichapter iion ii"Contrasting iiEffects iiof iiSolids iiand iiCavities" iiRasmussen
iidiscussed iitwo iiarchitects iiwhose iiwork iiwe iilooked iiat iiin iiclass- iiBorromini, iiwhose
iiwork iiis iiBaroque, iiand iiFrank iiLloyd iiWright, iiwhose iiwork iiis iimodern. iiWhat iiis iithe
iipoint iihe iimakes iiin iicomparing iiFrank iiLloyd iiWright's iiwork iito iithat iiof iiBorromini iiand
iiother iiBaroque iiarchitects? ii- iiAnswers ii-Answer: iiMany iiof iiWright's iibuildings iihave
iiBaroque iitraits. iiHe iiworks iiwith iicontrasting iiforms, iicurves iiwhich iichange iifrom
iiconcave iito iiconvex, iiand iiinterpenetrating iiarchitectural iivolumes
In iiclass iiwe iidiscussed iithe iivillas iiof iiAndrew iiPalladio- iiespecially iithe iiVilla iiRotunda.
iiRasmussen iimakes iia iinumber iiof iireferences iito iiPalladio's iiwork iibut iidevotes iiseveral
iipages iiin iiparticular iito iihis iiVilla iiFoscari iiof iiwhich iiRasmussen iiobserves: ii- iiAnswers ii-
Similar iicharacteristics iias iithose iinoted iiin iiclass- iiwell iiproportioned iirooms iiwhich iiall
iirelate iito iieach iiother iiand iito iithe iiwhole iiin iian iiintegral iiway.
In iihis iichapter iiof ii"hearing iiArchitecture" iiRasmussen iiobserves iiwhich iiof iithe iifollowing
iiabout iithe iirelationship iibetween iithe iichurch iidesign iiand iichurch iimusic? ii- iiAnswers ii-
Answer: iievery iilarge iichurch iiinterior iihas iiits iiown iivoice, iiits iispecial iipossibilities,
iiwhich iican iiproduce iiand iiaccommodate iidifferent iitypes iiof iimusic.
Both iiin iiclass iiand iiin iiRasmussen's iibook iiExperiencing iiArchitecture, iithe iichapel iiat
iiRonchamps iiwas iinoted iias: ii- iiAnswers ii-Answer: iian iiexample iiof iiskillful, iiemotional,
iiand iidramatic iiuse iiof iilight.
The iigolden iisection iiwas iidiscussed iiboth iiin iithe iichapter iion ii"scale iiand iiproportion" iiin
iiExperiencing iiArchitecture iiand iiin iithe iilecture iion ii"visual/sensual iiform". iiWhich iiof iithe
iifollowing iibest iirepresents iia iiconclusion iithat iican iibe iidrawn iifrom iithose iisources? ii-
iiAnswers ii-Answer: iithe iigolden iisection iiwas iiused iiin iithe iiRenaissance iiby iiarchitects
iilike iileonardo iida iivinci iiand iiin iimodern iitimes iiby iiarchitects iilike iile iicorbusier.
In iithe iilecture iion ii"numbers/mathematics/geometry" iifive iimotives iiwere iidescribed iifor
iiemploying iipure iigeometrics iiin iibuildings. iiWhich iiof iithe iifollowing iidoes iinot iidescribe
iia iimotive iinoted iiin iithat iilecture? ii- iiAnswers ii-Motives iiof iinatural iiemulation iias iiin
iiAntonio iiGaudi's iiairports
(Buildings iithat iiwere iilisted: iiBuckminister iiFuller's iigeodesic iidome, iiGunnar iiAsplund's
iilibrary, iiPeter iiEisenman's iihouses"
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