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Official June 2024 AQA A-LEVEL DANCE 7237/W Component 2 Critical engagement Merged Question Paper + Mark Scheme $7.99   Add to cart

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Official June 2024 AQA A-LEVEL DANCE 7237/W Component 2 Critical engagement Merged Question Paper + Mark Scheme

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Official June 2024 AQA A-LEVEL DANCE 7237/W Component 2 Critical engagement Merged Question Paper + Mark Scheme

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  • August 23, 2024
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  • Official June 2024 AQA A-LEVEL DANCE 7237/W
  • Official June 2024 AQA A-LEVEL DANCE 7237/W
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Official June 2024

AQA
A-LEVEL
DANCE
7237/W
Component 2 Critical engagement
Merged Question Paper + Mark Scheme




Ace your Mocks!!!

,A-level
DANCE
Component 2 Critical engagement


Tuesday 21 May 2024 Morning Time allowed: 2 hours 30 minutes
Materials
For this paper you must have:
• an AQA 12-page answer book.

Instructions
• Use black ink or black ball-point pen.
• Write the information required on the front of your answer book. The Paper Reference is 7237/W.
• Do all rough work in the answer book. Cross through any work you do not want to be marked.
• In Section A, answer all questions.
• In Section B, answer two questions.
Either Questions 0 7 and 0 8 or Questions 0 9 and 1 0
or Questions 1 1 and 1 2 or Questions 1 3 and 1 4 .

Information
• The marks for questions are shown in brackets.
• The maximum mark for this paper is 100.
• You should use examples wherever appropriate to support your explanations or argument.

Advice
You are advised to read through the questions carefully.




IB/G/Jun24/G4004/E5 7237/W

, 2



Section A

Answer all questions in this section.


Compulsory: The set work Rooster (Christopher Bruce, 1991) within the context of the
Rambert Dance Company (formerly Ballet Rambert) 1966–2002


0 1 . 1 Describe the group position at the end of the second dance Lady Jane.
[2 marks]

0 1 . 2 Describe the transition from the group position at the end of the second dance Lady
Jane into the third dance Not Fade Away.
[2 marks]


0 2 Explain how the choreographic use of the dancers in the first dance Little Red
Rooster communicates the themes of this dance.
[5 marks]


0 3 Explain how the use of costume in the sixth dance Ruby Tuesday enhances the
choreographic presentation.
[5 marks]


0 4 Explain how motif and motif development are used in the final dance Sympathy for
the Devil.
[5 marks]


0 5 Discuss the similarities and/or differences between the aural setting of Rooster and
the aural setting of one other work by Christopher Bruce.
[6 marks]


0 6 Discuss how the use of collaboration has contributed to the development of the
repertoire of the Rambert Dance Company (formerly Ballet Rambert) during the
period 1966 to 2002.
[25 marks]




IB/G/Jun24/7237/W

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