BCA 101 Final Exam Questions & Answers 2024/2025
3-Act Formula - ANSWERSA substructure within the Classical Narrative. The 3-Act Formula is a concept borrowed from the theater world where a story is essentially broken up into three acts. In cinema ACT I - is the Setup, ACT II - is the Confront...
BCA 101 Final Exam Questions & Answers 2024/2025
3-Act Formula - ANSWERSA substructure within the Classical Narrative. The 3-Act Formula is a concept borrowed from the theater world where a story is essentially broken up into three acts. In cinema ACT I -
is the Setup, ACT II - is the Confrontation and ACT III is the Resolution. There will usually be about 10-20 "plot points" or twists key events that take place within each of the acts. ACT 1 and ACT 3 should each be
about 25% of the film's time and ACT 2 should contain about 50% of the film's devotion.
Action is Character - ANSWERSA component of the Classical Paradigm substructure within the Classical Narrative, in which the characters are generally defined by what they do. For example in Singin' in the Rain, all of the characters are defined by what they do, i.e. being actors.
Allegories - ANSWERSA figurative technique in which stylized characters and situations represent obvious
ideas. The most common examples are representations of concepts of justice, death, religion, society, etc...
Allusions - ANSWERSA figurative technique where an indirect or implied reference to an artist or work of art, a person, or event is made. Sometimes the reference is respectful other times it is scornful (The idea of the "Spoof")
Aural Motifs - ANSWERSA sound that has substantial dramatic significance in the film and may appear more than once. Background Music. Music that is outside the the story and physical world of the images.
Bankability - ANSWERSA concept from the Studio System era that measures the profitability of an actor by how much revenue his/her film will bring in simply by his/her presence in the film.
Character Actor Stars - ANSWERSA supporting actor who plays unusual, interesting, or eccentric characters. The term, often contrasted with that of leading actor, is somewhat abstract and open to interpretation. Cinematographer - ANSWERSThe Director of Photography, or the D.P . The cinematographer is in charge of arranging and controlling the lighting of a film as well as the overall quality of photography. The cinematographer answers to the Director of the film.
Circular Structure - ANSWERSA substructure within a realist narrative, in which the film essentially begins
and ends in the same place. Essentially the film has come full circle in terms of the story and events of the plot; it began and ended in the same manner.
Classical Narrative - ANSWERSAn intermediate type of narrative in which we are aware of a shaping hand
in the storyline, with boring gaps generally being edited out in order to keep the story moving and on track towards the resolution of the story's central conflict. There are two main substructures associated with the Classical Narrative: The Classical Paradigm and the 3-Act formula.
Classical Paradigm - ANSWERSThe most common or dominating narrative structure in cinema since the 1910s. It is based on the conflict between a protagonist who initiates the action and the antagonist who resists against it. It works on cause and effect conflicts until it rises to a climax. The plotlines are linear and often take the form of a journey, search or a chase.
Director - ANSWERSThe individual in charge of directing the production or making of the film. The director visualizes the screenplay, deciding how the film is going to look. The director controls both the film's artistic and dramatic aspects, while guiding the actors and technical crew in fulfillment of that vision.
Director Repertoire Actor - ANSWERSAn actor who works frequently with one director, often bringing some of his best work to the table because of the comfort level.
Emotional Recall - ANSWERSA facet of method acting, in which the actor delves into his/her own personal history and experiences searching for a connection to his/her role. The idea is that the actor will be able to connect with his/her character on a different, higher level because of a shared experience,
feeling or way of thinking.
Ensemble Cast - ANSWERSOne which comprises multiple principal actors and performers who are typically assigned roughly equal amounts of screen time.
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