FM4 - Varieties of Film Experience - Issues and Debates
Summary
Summary A Level Film Studies Buster Keaton Silent Shorts Package
62 views 3 purchases
Course
FM4 - Varieties of Film Experience - Issues and Debates
Institution
WJEC
This document encapsulates all information needed for those studying Buster Keaton’s silent shorts for the silent cinema section of the WJEC A Level Film Studies course. This note collection includes detailed key scene analysis, ready to support your exam essays. This document also caters to all ...
FM4 - Varieties of Film Experience - Issues and Debates
All documents for this subject (2)
Seller
Follow
jessiegrogan
Content preview
l
r
⑲ ga
.S se ·oug
E 0
2
S ur
- geL2 ⑱ ~
cops. One week, the High Sign, scarecrow
U exarts
m-realisin m-expressionism
-
ear a table at
8"0 C3
S if
1922 >
- B !,
" , "s,,, inematography wide
- -,
- -S ,, ,
shots to show the jeopardy -- they show the exaggerated physical
-, S O
wide shots often ladder stunt -> seesaw
comedy and gymnastic stunts snow the scale
·
nuse-en-scene
* slightly shaney camera at
moments -- no
steadycams or dollfys--prealistic contextw ide shot as police officers tumble
* police parade:
realistic situation a many through doorway pursuing heaton exaggerates now outnumbered he is.
police againstReatch, comedically n umbered.
out
* title cards and on screen dialogue breaks the
editing a continuity editing a establishing the criteria e ras ofHollywood
s ubsequent
that will follow as the
diegesis ladder aumastic stunt -exaggerated benchmark a fast paced cuts as the police chase Reaton--expressionistic, jarring cuts unsettle spectator.
* cars -
1920, rise of automobile w/ ford motors.
-
I I I
/
92
inematography wide shots show the surreal house in full humorous surreal.
mise-en-scene *
wide heaton
shot in foreground, house begins to spinin background exaggerated comedy - we can
x naturalistic outdoor lighting-realism a prefabr- see whathe can't -
dramatic irony.
-icated houses contextual realism. -
I woman drops
soap and looks into cameras with wall-hand over lens
editing a fast cross-cutting between Keaton outside trying to stop house spinning and others inside
highly mediated moment * handy hann - exaggerated
->
expressionistic fastcuts. * ivis edito expressionistic, breaks diegesis. -1 We examine artifacts.
mediated. * train at start
sound mediated increase
realism, development * musical piano score matches the bell as he shoots -- in tempo when dog sees cat
-
in railways at
t he time a clear signage w/ large text + music crossendos on gun shot-p music is manipulated expressionistic
-
mediated so the audience understand. climbing trellace
+ over counter dive a gymnastic, unrealistic. a size differ- editing * Cutaway to dog outside before Keaton goes to it
expressionistic fade transition as heaten
-ence, Reaton and shooting gallery man a mediated, played leaves shooting gallery - appearance horse
of in teacup "unrealistic exaggerated + unnatural.
for comedy.
The
. m M -⑬I⑧
T o1920 T-d inematography
-
E- ⑬y ...
-
- -
/
wide shots to snow size difference between Reaton and other man a mediated
* wide shots - slightly fighter shots on each side of room 2D flat
world
mise en-scene * symmetry geometric shapes
+ as they fliptable mediated expressionism.
* Palm trees-Drealistic, shotin California, Hollywood
context. * scarecrow, realistic concept
u s as agricultu
sound * gentle, calm strings instrumental start
score at a music
of increases as they realize its
pantomime
ral superpower, performance of man at a fare scarecrow-mediated.
tempo
start -> kissing photo ofg irl. I pulling tooth outwe string real-
-
istic, real idea becomes expressionistic meal a
at choreographed editing a sun rises in fastmotion
exaggerated, unrealistic a few exits in the breakfasts cene realism
swapping ofobjects - playful, eccentric a fence opens in a 'snape * faster edits in second half - becomes more exciting and playful. A montage ofReaton running from dog expressionism
-random playful geometric shapes
+ -a cubism
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller jessiegrogan. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for $7.31. You're not tied to anything after your purchase.
