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Summary Appearance vs Reality in A Streetcar Named Desire Theme Page $9.78   Add to cart

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Summary Appearance vs Reality in A Streetcar Named Desire Theme Page

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Theme page of A* level arguments, quotations, language analysis, themes and context regarding APPERARANCE VS REALITY in A Street Car Named Desire by Tennessee Williams

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  • June 17, 2023
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  • 2022/2023
  • Summary
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Topic:
SND appearance vs. reality


Key Points/Arguments

 Tennessee Williams presents Blanche to be a deceitful enchantress, with the ability to veil her reality in order to deceive.
 Stanley is presented as the fateful person to trigger Blanche’s ruination, due to his scepticism of her from their primary meeting.
 Williams employs plastic theatre in order to highlight, and visually exaggerate the extent to which Blanche provides her façade.
 Stella and Blanche juxtapose in their ability to face reality; while Blanche orchestrates a grand illusion, Stella cannot always follow her
heart, through knowledge of realism.
 In A Street Car named desire, climactic anagnorisis occurs, only when Blanches façade is finally shattered, revealing her truth.


Primary Quotations Literary/Dramatic Devices Critical Quotations (p.) Context + Contextual Quotations
S1 S1
‘drawing involuntarily back from his stare’ – like a
‘Cleat light is the antithesis of the Sothern gothic – decay of
‘white suit… ear-rings of pearl, white
gloves’ – façade of innocence, masking moth in a flame fantasy world she is trying hard blanche
sordid past ‘he holds the bottle to the light to observe it’s
depletion’ – he can see through façade
to maintain’ – V. Elliot Southern Belle – Southern
Blanche ‘I won’t be looked at in this S2 ‘she feels compelled to put on a hospitality, beauty and a
merciless glare!’ – wants to allude her
appearance
‘admirer of mine!’, ‘I was once considered to be –
attractive’ – constantly seeks superficial approval
show’ – F. Parnaby flirtatious yet chaste demeanour
Blanche ‘no, one’s my limit’ – ironic lies of because looks are all she has ‘Blanche’s role is as an Realism and expressionism
alcoholism ‘pressing hands to her ears’ – plays into femme
fatale
enchantress or illusionist’ – F. compliment eachother in the play
‘funerals are pretty compared to deaths.
Funerals are quiet, but deaths – not always.’ ‘she sprays herself with the atomizer’ – distracts Parnaby Meaning>realism, unrealistic
– tendency to romanticise, occupied by from reality
S3
‘reflect her inability to escape the lighting, symbolism
beauty and fantasy S ‘you’re standing in the light, Blanche!’ – pull of the past’ – F. Parnaby Enters at dusk, and nevcer seen in
S2
Stella ‘I’d tried to gloss things over a little in
references her moth-like
S4
‘arguably on a rapid downward light again – also tries to
my letters’ – ashamed and doesn’t give ‘eletric things between people!’ – no true belief in trajectory when she arrives at manipulate her sexuality to regain
whole truth love
S5
Elysian fields’ – F.Parnaby metaphorical light
‘she wore it to a costume ball’ – façade of
wealth ‘continued round of entertainments, teas, cocktails, Williams uses events both
‘of course you remember Shep Huntleigh’ – and luncheons –‘ – contrasts bowling and poker
‘astrological sign’ – into fantasy
naturistically and
never meet, fantasy of chivalry ‘paper lantern over the light’ – constant façade, expressionistically
S4
‘you saw him in uniform, an officer, not here
moth-like and flimsy
‘young prince out of the arabian nights’
Plastic Theatre

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