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Summary AHIST 1401 ART HISTORY
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AHIST 1401 ART HISTORY
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1. Greek and Roman Civilization (HIST 1421) had currently extraordinarilysupported me in acquiring an essential comprehension of the Greek and Roman
developments, yet not in the space of craftsmanship. I knew that Greek culture
invigorates the Romans, yet I had no clue about that it extended towards the domain
of craftsmanship too. It's astonishing that the had the opportunity to see lovely
things around them, not to mention make an interpretation of them into
workmanship, while all the other things around them was thundering to fight.
2. The clasp for all of this learning fragment illuminate how well the legacy of
the Greek workmanship pieces started with them exploring different avenues
regarding mathematical shapes and the Egyptian method of framing figures before
they turned out to be so centered around attempting to investigate the highest level
of figure for the human body as well as the environmental factors wasn't actually
deserted outside of their creative headway.
3. The figure of Memi and Sabu (The Metropolitan Museum of Art, n.d.)
exhibited that a benchmark had as of now been arrived at when Greek artists began
to zero in on pose, utilizing bends for shoulders and simply being able to draw an
upstanding position too. This particular craftsmanship supported the change of my
reasoning.
Reference:
Statue of Memi and Sabu. In The Metropolitan Museum of Art. Retrieved
from http://www.metmuseum.org/toah/works-of-art/48.111.
Art of the Hellenistic Age and the Hellenistic Tradition. In The Metropolitan Museum of
Art. Retrieved from http://www.metmuseum.org/toah/hd/haht/hd_haht.htm.
Ancient Greek and Roman art. In Khan Academy. Retrieved
from https://www.khanacademy.org/humanities/art-history-basics/Art-1010/v/greek-and-
roman-art.
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