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Samenvatting Filmgeschiedenis
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Samenvatting van de slides, aangevuld met eigen aantekeningen uit de lessen.
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Samenvatting filmgeschiedenis1 oktober – Les 1 ..................................................................................................................................... 5
Illusies over film................................................................................................................................... 5
Benaderingen en definities van film.................................................................................................... 5
Definities en termen ........................................................................................................................ 5
Wat maakt film bijzonder? .................................................................................................................. 5
Filmstudies als wetenschap ................................................................................................................. 6
De drie levensfases van film ................................................................................................................ 6
Fase 1: productie ............................................................................................................................. 6
Fase 2: distributie ............................................................................................................................ 7
Fase 3: vertoning ............................................................................................................................. 8
8 oktober – Les 2 ..................................................................................................................................... 8
De drie levensfases van film ................................................................................................................ 8
Besluit .............................................................................................................................................. 8
Optische principes ............................................................................................................................... 9
Pre-cinema .......................................................................................................................................... 9
Projectie .............................................................................................................................................. 9
Narratie en montage ......................................................................................................................... 10
Inleiding ......................................................................................................................................... 10
Georges Méliès .............................................................................................................................. 10
15 oktober – Les 3 ................................................................................................................................. 11
Narratie en montage ......................................................................................................................... 11
Edwin Porter .................................................................................................................................. 11
D. W. Griffith.................................................................................................................................. 11
Lev Kuleshov .................................................................................................................................. 12
Sergei Eisenstein............................................................................................................................ 12
Dziga Vertov .................................................................................................................................. 13
Film als industrie ............................................................................................................................... 13
Inleiding ......................................................................................................................................... 13
De ‘Nickelodeon boom’ ................................................................................................................. 13
Europa als bakermat...................................................................................................................... 14
22 oktober – Les 4 ................................................................................................................................. 14
Film als industrie ............................................................................................................................... 14
Europa als bakermat...................................................................................................................... 14
Industrialisering ............................................................................................................................. 15
1|Pagina
, Sterrendom.................................................................................................................................... 15
Ontwikkeling Hollywood ............................................................................................................... 15
Ontwikkelingen naar geluidsfilm ....................................................................................................... 15
Vroege experimenten met geluid ................................................................................................. 15
Standaardisering en geluid ............................................................................................................ 16
Gevolgen van de komst van geluid................................................................................................ 16
Ontwikkelingen naar kleurenfilm ...................................................................................................... 17
Vroege kleurenfilm ........................................................................................................................ 17
Standaardisering van kleur ............................................................................................................ 18
De langzame conversie naar kleurenfilm ...................................................................................... 18
Kleur: meer dan techniek .............................................................................................................. 18
29 oktober – Les 5 ................................................................................................................................. 18
Inleiding: de gouden periode ............................................................................................................ 18
Ontwikkeling van de klassieke Hollywood filmtaal ....................................................................... 19
Hollywood in de jaren ‘20 ................................................................................................................. 19
De ‘Production Code’..................................................................................................................... 20
Komedie: verschuivingen in een populair genre ............................................................................... 20
Relaties tussen Europa en Hollywood ............................................................................................... 21
Regisseurs uit het vroege studiotijdperk........................................................................................... 21
Cecil B. De Mille (1881-1959) ........................................................................................................ 21
Ernst Lubitsch (1892-1947)............................................................................................................ 21
Jozef von Sternberg (1894-1969) .................................................................................................. 22
Regisseurs na de geluidsfilm ............................................................................................................. 22
John Ford ....................................................................................................................................... 22
Howard Hawks............................................................................................................................... 22
Billy Wilder .................................................................................................................................... 22
Alfred Hitchcock ............................................................................................................................ 23
Vrouwen in Hollywood ...................................................................................................................... 23
5 november – Les 6 ............................................................................................................................... 24
Einde van het studiosysteem ............................................................................................................ 24
New Hollywood en de ‘movie brats’ ................................................................................................. 24
Genres ............................................................................................................................................... 24
Ontwikkeling van genres ............................................................................................................... 24
Genremixing .................................................................................................................................. 25
Genres analyseren ......................................................................................................................... 25
Drie toepassingen van genres: western, horror en musical.............................................................. 25
2|Pagina
, Western ......................................................................................................................................... 25
Horror ............................................................................................................................................ 26
Musical .......................................................................................................................................... 26
12 november – Les 7 ............................................................................................................................. 27
Wat zijn bewegingen? ....................................................................................................................... 27
Bewegingen in de filmgeschiedenis .................................................................................................. 27
Duits expressionisme..................................................................................................................... 27
Nieuwe Zakelijkheid ...................................................................................................................... 28
Franse avant-garde: impressionisme ............................................................................................ 28
Franse avant-garde: surrealisme en dadaïsme ............................................................................. 29
Italiaans neorealisme .................................................................................................................... 29
Nouvelle vague .............................................................................................................................. 30
Internationale new wave............................................................................................................... 30
Third Cinema ................................................................................................................................. 30
Dogme 95 ...................................................................................................................................... 31
Queer cinema ................................................................................................................................ 32
26 november – Les 8 (gastcollege) ........................................................................................................ 32
Inleiding ............................................................................................................................................. 32
De macht van de blik ......................................................................................................................... 32
Dekolonisering en cinema ............................................................................................................. 32
Cinema als koloniale technologie .................................................................................................. 33
Hoe dekoloniseren?....................................................................................................................... 33
Richting een alternatieve benadering ........................................................................................... 34
Dekolonisering als dialoog................................................................................................................. 34
Case: Senegal ................................................................................................................................. 34
Dekolonisatie als wapen .................................................................................................................... 35
Third Cinema ................................................................................................................................. 35
Case: Latijns-Amerika .................................................................................................................... 36
Dekolonisering als industrie .............................................................................................................. 36
Case: Nollywood: ........................................................................................................................... 37
Conclusie ........................................................................................................................................... 37
4 december – Les 9................................................................................................................................ 37
Film en andere media ........................................................................................................................ 37
Radio .................................................................................................................................................. 37
Televisie ............................................................................................................................................. 38
Machtsgreep televisie: gevolgen voor film ................................................................................... 39
3|Pagina
, Televisie als zelfstandig medium ................................................................................................... 39
Serialisering ................................................................................................................................... 40
Kwaliteitstelevisie .......................................................................................................................... 40
Film en televisie: wederzijdse relaties........................................................................................... 41
Internet en film.................................................................................................................................. 41
10 december – Les 10............................................................................................................................ 41
Documentaire film............................................................................................................................. 41
Inleiding ......................................................................................................................................... 41
Definitie ......................................................................................................................................... 41
Vaak terugkerende elementen...................................................................................................... 42
Documentaire als evoluerende vorm ............................................................................................ 42
Documentaire als fluïde filmvorm ................................................................................................. 42
Vorm .............................................................................................................................................. 43
Experimentele film ............................................................................................................................ 43
Definitie ......................................................................................................................................... 43
Korte geschiedenis ........................................................................................................................ 43
Vorm .............................................................................................................................................. 44
17 december – Les 11............................................................................................................................ 44
Animatiefilm ...................................................................................................................................... 44
Traditionele animatie .................................................................................................................... 44
Stop motion ................................................................................................................................... 45
Digitale animatie ........................................................................................................................... 45
Turkse film ......................................................................................................................................... 46
Historische context ........................................................................................................................ 46
Traditionele filmindustrie Yeşilçam ............................................................................................... 46
Sociaal realisme ............................................................................................................................. 47
Post-Yeşilçam................................................................................................................................. 47
Algemeen besluit ............................................................................................................................... 47
Voorbeeld examenvragen ............................................................................................................. 47
4|Pagina
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