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Summary OCR GCSE Music: Listening and Appraising - ALL AREAS OF STUDY $5.92   Add to cart

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Summary OCR GCSE Music: Listening and Appraising - ALL AREAS OF STUDY

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This summary document covers all areas of study in the Listening and Appraising section of GCSE Music (OCR), with key features of the required styles of music and instrument/composer fact files. Everything you need to know before your GCSE listening exam, written by a Grade 9 student.

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  • March 31, 2021
  • 12
  • 2020/2021
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GCSE MUSIC OCR LISTENING: AREAS OF
STUDY

CONCERTO THROUGH TIME
Baroque Concerto Grosso
Period of music between 1600-1750 that encompassed 2 groups of performers: a small
group of soloists (concertino) and an orchestral accompaniment (ripieno)
Features of Baroque Concerto Grosso
 Instrumentation
- Very small orchestra
- Featured: harpsichord, double bass, violin, viola, cello, recorder, flute, oboe,
bassoon, trumpet, lute
 Interaction between soloists and orchestra
- No conductor (continuo player led piece)
- Soloists always in spotlight
- Sometimes performed with accompanying orchestra in ‘tutti’ sections
 Harmony and tonality
- ‘Continuo’ part which filled in harmony and texture, played by a harpsichord
playing chordal harmony and a cello or bassoon doubling the bass line
- Diatonic tonality
- Modulations went to dominant or relative minor
 Rhythm, tempo and metre
- 3 movements, contrasted in tempo (fast-slow-fast)
 Dynamics and texture
- Terraced dynamics (very clear changes)
- Polyphonic or contrapuntal texture
 Melody
- Ornamented
- Sequences
- Imitation
 Venue
- Churches
- Opera houses
- Courts
- Small salons
 Composers
- Bach
- Handel
- Vivaldi
- Corelli

, Baroque Solo Concerto
Played at the same time as the Concerto Grosso and shared the same features, however
featured a singular solo instrument rather than a whole group. Featured more cadenza
sections (virtuosic complex solos)
Classical Solo Concerto
Performed between 1750-1820, the Classical Concerto saw the introduction of new
instruments such as the clarinet and the piano replacing the harpsichord.
Features of Classical Solo Concerto
 Instrumentation
- Harpsichord replaced by the piano
- Orchestra grew in size – 30 to 60 players
- Woodwind included flutes, oboes, bassoons, clarinets
- Brass had horns, trumpets
- Strings still continued to be the ‘main’ section
- Percussion was only timpani
 Interaction between soloist and orchestra
- Conductor follows soloist, orchestra follows conductor
- Sections of ‘dialogue’ between orchestra and soloist
 Harmony and tonality
- Simple harmony
- Use of primary chords
- Diatonic harmony
- Modulations to related keys
 Rhythm, tempo and metre
- 3 movement structure (fast-slow-fast)
- Changes of tempo for effect/expression
 Dynamics and texture
- Wider range of dynamics
- More usage of crescendo and diminuendo
- Busy Baroque polyphonic texture replaced with clearer homophonic melody and
accompaniment
 Melody
- Balanced phrases
- Question and answer
- Light, simple, elegant
- Sequences
- Less ornamentation
 Venue
- Concert halls
- Opera houses
 Composers

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