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Fam 1000s : District 9;Genre and National Identity notes

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  • May 20, 2024
  • 5
  • 2021/2022
  • Class notes
  • Prof. ian-malcolm
  • All classes
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District 9: Genre and National Identity

Genre:

 Easy to recognise, more difficult to explain.
 Genres based on plot pattern, emotional effects, setting, theme, aesthetic, form.
 Change, development of genres – hybrids.
 Conventions and expectations.
 “Genre, it had always seemed to me, was a set of assumptions, a loose contract
between the creator and the audience.”

Science Fiction:

 “Literature of change”.
 Science fiction “deals with the reaction of human beings to changes in science and
technology.”
 Different worlds and different times, dealing with actual, here-and-now issues.
 “What speculative fiction is good at is not the future, but the present.”
 Possibilities and limitations, science and technology, humanity.
 Subgenres:
o Time travel (Back to the Future).
o Aliens (Men in Black).
o Space Opera (Star Wars).
o Dystopian future (Mad Max Fury Road).
o Apocalyptic (Armageddon).
o Monsters and mutants (Godzilla).
o Cyberpunk (The Matrix).
o Space Westerns (Cowboys and Aliens).

Mockumentary:

 Using elements of documentary form for comic effect, parody.
 Handheld camera.
 Direct address.
 Interviews.
 Newsreel.
 Grainy.

Neill Blomkamp:

 Born in 1979, in Johannesburg.
 Immigrated to Canada at age 18.
 Graduated from Vancouver Film School’s 3D and Visual Effects programme in 1998.
 Worked in animation.

District 9 – Background and Production:

 Preceded by short film Alive in Joburg (2005).
 Written and directed by Blomkamp, produced by Peter Jackson.

,  Won the 2010 Saturn Award for Best International Film.
 Nominated for four Academy Awards in 2009: Best Picture, Best Editing, Best
Adapted Screenplay, Best Visual Effects.
 Budget: $30 Million.

Themes:

 First contact, and what happens after.
 Aliens humanised.
 Dystopia.
 Xenophobia, discrimination (2008 xenophobic outbursts in SA).
 National identity.

References made:

 Spaceship hanging above Johannesburg syline: Armageddon, Independence Day.
 Body transformation: The Fly.
 CNN-style news coverage.

South African Touches:

 Large part of its success: being a South African sci-fi.
 Local vs international audiences.
 Language.
 Van der Merwe.
 Soweto – shacks.
 Local actors.

Blomkamp on District 9:

“My upbringing in [Johannesburg] had a massive effect on me, and I started to realize that
everything to do with segregation and apartheid, and now the new xenophobic stuff that’s
happening in the city, all of that dominates my mind, quite a lot of the time. Then there’s the
fact that science fiction is the other big part of my mind, and I started to realize that the two
fit well together. There’s no message, per se, that I’m trying to get across with the movie. It’s
rather that I want to present science fiction, and put it in the environment that affected me. In
the process, maybe I highlight all the topics that interest me, but I’m not giving any answers.
You can take from it what you will.”

Social critique:

 “District 9 utilises the generic elements of the science fiction film to critique both
apartheid and post-apartheid South Africa.”
 It both acknowledges and subverts science fiction tropes.
 Globalisation – private military company MNU stand in place of the apartheid
government.



Xenophobia – critiqued, or reinforced?

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