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Fam 1000s - Sound notes

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This is a comprehensive and detailed note on Sounds for Analysing Film & Television. Quality stuff!! U'll need it!!

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  • May 20, 2024
  • 4
  • 2021/2022
  • Class notes
  • Prof. ian- malcolm
  • All classes
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Sound

 Sound is another way in which the majority of films we watch reinforce seamless
narrative and “reality”.
 A sound track as an ongoing stream of auditory information, not as a set of discrete
sound bits.
 It shapes our understanding of images.
 When we talk about sound, we are often referring to synchronised sound, which is
often added to the film in post-production.
 In Marxist terms, sound “hides” the work of the filmmaking process by faithfully
recreating the sounds of the real world on film.
 Colour and sound were the two great innovations in film in the 20s and 30s.
 We are wrong to think that sound only refers to synchronised sound.
 Sound was always a part of movies.
 In early silent films, the film was often accompanied by live music.
 The benshi in Japanese theatre:
o Stood in the theatre and interpreted the action to the audience.
o Strangely, the benshi was still a part of Japanese cinema even after
synchronised sound arrived.

Four types of cinematic sound:

 Music.
 Noise (sound effects).
 Dialogue.
 Ambient sound/room tone.

Diegetic and non-diegetic sound:

 Diegetic sound – all sound that is audible to characters in the story world, including
dialogue and noises (has a source in the story world).
 Non-diegetic sound – any sound not audible to the characters (comes from a source
outside the story).
 Internal diegetic sound – a character’s audible thoughts.
 External diegetic sound – the sound has a physical source in the scene.
 Diegetic drop out – occurs when background noise in a scene fades out to focus
attention on dialogue.
 Pre-recorded music can be used diegetically.
 We might hear a voice which seems to be a voiceover, but then we discover that the
character is actually in conversation with the diegesis.

All forms of sound can:

 Direct attention.
 Cue expectations and interpretations.
 Amplify or undermine realism.



Noise:

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