Summary A Level Film Studies AMY notes package- key scene analysis and theories
69 views 1 purchase
Course
Documentary
Institution
WJEC
This document encompasses all information needed for those studying Kapadia’s documentary ‘AMY’ for the documentary cinema section of the WJEC A Level Film Studies course. This document includes both key scene analysis to support your essays, and notes on the 4 documentary film theorists that...
grand Rapadia, 2015)
->
Documentary on Singer Amy Winehouse
↳ 1 Ismark question, need 2 key scenes
↳) other doc
need to know about film theorists.
Amy'saddiction to crack
cocaine, savel:* quieta mbient
sound of home movie footage ->
insightinto their private life.
I * Blake's remorseful voice over narration -- intimate infor itwas his fault
mise-en-scene: * contrasted by loud screaming fans in audience -> public life. * Amy on the phone + Blake's
*
c luttered table -> messy + sense of being overwhelmed quiet 'Gop talk in the kitchen's controlling?
+ Unable to cope. drug
I paraphenalia makeup and
-
hair accessories scattered over table--> Amy is in pieces. inematography: * extremely shakey handheld camera movements with Blake's movie camera-
* Wake up alone performance-orange tank + denim shorts -
suggestion instability, drugs
of + the relationship. I camera tracks Amy as she moves disorientating
-
differentf rom patterned pin up dresses-changed Amy. +
mimics how she's followed by the public eye? * zoom in to her acting erratically focus on eyes-drugs
* darkness, low lightin flat -
foreboding tone.
editing: a disjointed jump cuts between differentclips, eal Amy on phone, Amy in frontofT
RESPONSE:x peculiar + foreboding tone TV, still images -> surreal feels
wrong and strange -
foreboding tone.
-> her downfall begins -
nearyness of "Amy
Blake's started
using crack cocaine" . * disjointed editing -
Amy losing control LINK: x observational home movie footage Amy similiar
of to him longinottoobserving a struggling female.
Amy's death/end
/ savel:* suliette's voice in the foreground-she sounds on the verge of tears.
I * loud camera shutter clicks, even her death is invaded and exploited. I simplistic piano
mise-en-scene: score mournful and somber + hot like Amy's Jazz sound.
upbeat
* funeral, guy wearing kippa hat-reminds us of her * credits to Valerie's recognisable -
her voice - only thing we have leftis her music and sonas.
Jewish faith (no tats, drink or drugs) - now far she came
from that. * lonesome microphone next
t o Tony Bennett,
inematography: ariel location view shot-offers verisicimitude -a a set
real place, not
really emotive, where Amy once was now she's gone. * exploitative and intrusive nature of
the stock footage in relation to her death-her body leaving the
* dark grey depressive mood atmosphere.
weather: +
house + the funeral. spy shots of Amy is not looking atcamera-relationship broken.
editing: a dissolves between stills Amy,
of Juliette and Lauren as children, ghostly + cuclical
RESPONSE: sadness and grief looks back emotional freeze frames
nature: - slow motion pulls focus and lengthens spectator response.
to childhood +VO of Juliette and her bodyguard.
->
strong sense of tragedy
-
focus on her voice. INK: VO for
↑ narrative, similiar to the style ofMichael Moore -n Amy gets her voice back w/ valerie in the credits.
Amy takes over the storytelling with her music line moore does wl his persona
REY IDEAS: -to include in essays ~ . . .
Amy's relationship w/camera, starts as a friend-enemy
I
*
* the spectatoralready knows how the story ends, emotive Bill Nichols: intro to documentary's modes of
documentary.) Poetic z) observational 3) expository
archive
* use of footage, home moviet
s till images. 4) reflexive 3) participatory of performative. Amy is: Observational
as storytelling-lurics on screen-cursive.
-
↑o fahrenheit1719 -p media footage
Michael Moore x comedy and dark sative a his persona is key participatory atopics attack institutions. A voice
on issues the tells the story eal gun control
Rim LOnGiNOHO A observational women fighting for change or justice. A long takes uniquely personal a shoti n a calm unobtrusive stalled
Salma, female protagonist
Nick Broomfield. A reflexive -
disorganised and haphazard style- relativity personal feeling a spontaneous long unscripted takes a still images, Biggie Tupac
Peter Watkins: a docudrama stale a visual collage ofmedia a casts a critical que on political issues emotionally draining topics cal and i want
police brutality
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller jessiegrogan. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for $7.17. You're not tied to anything after your purchase.
