FM4 - Varieties of Film Experience - Issues and Debates
Summary
Summary A Level Film Studies Buster Keaton Silent Shorts Package
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Course
FM4 - Varieties of Film Experience - Issues and Debates
Institution
WJEC
This document encapsulates all information needed for those studying Buster Keaton’s silent shorts for the silent cinema section of the WJEC A Level Film Studies course. This note collection includes detailed key scene analysis, ready to support your exam essays. This document also caters to all ...
FM4 - Varieties of Film Experience - Issues and Debates
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l
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⑲ ga
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2
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cops. One week, the High Sign, scarecrow
U exarts
m-realisin m-expressionism
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ear a table at
8"0 C3
S if
1922 >
- B !,
" , "s,,, inematography wide
- -,
- -S ,, ,
shots to show the jeopardy -- they show the exaggerated physical
-, S O
wide shots often ladder stunt -> seesaw
comedy and gymnastic stunts snow the scale
·
nuse-en-scene
* slightly shaney camera at
moments -- no
steadycams or dollfys--prealistic contextw ide shot as police officers tumble
* police parade:
realistic situation a many through doorway pursuing heaton exaggerates now outnumbered he is.
police againstReatch, comedically n umbered.
out
* title cards and on screen dialogue breaks the
editing a continuity editing a establishing the criteria e ras ofHollywood
s ubsequent
that will follow as the
diegesis ladder aumastic stunt -exaggerated benchmark a fast paced cuts as the police chase Reaton--expressionistic, jarring cuts unsettle spectator.
* cars -
1920, rise of automobile w/ ford motors.
-
I I I
/
92
inematography wide shots show the surreal house in full humorous surreal.
mise-en-scene *
wide heaton
shot in foreground, house begins to spinin background exaggerated comedy - we can
x naturalistic outdoor lighting-realism a prefabr- see whathe can't -
dramatic irony.
-icated houses contextual realism. -
I woman drops
soap and looks into cameras with wall-hand over lens
editing a fast cross-cutting between Keaton outside trying to stop house spinning and others inside
highly mediated moment * handy hann - exaggerated
->
expressionistic fastcuts. * ivis edito expressionistic, breaks diegesis. -1 We examine artifacts.
mediated. * train at start
sound mediated increase
realism, development * musical piano score matches the bell as he shoots -- in tempo when dog sees cat
-
in railways at
t he time a clear signage w/ large text + music crossendos on gun shot-p music is manipulated expressionistic
-
mediated so the audience understand. climbing trellace
+ over counter dive a gymnastic, unrealistic. a size differ- editing * Cutaway to dog outside before Keaton goes to it
expressionistic fade transition as heaten
-ence, Reaton and shooting gallery man a mediated, played leaves shooting gallery - appearance horse
of in teacup "unrealistic exaggerated + unnatural.
for comedy.
The
. m M -⑬I⑧
T o1920 T-d inematography
-
E- ⑬y ...
-
- -
/
wide shots to snow size difference between Reaton and other man a mediated
* wide shots - slightly fighter shots on each side of room 2D flat
world
mise en-scene * symmetry geometric shapes
+ as they fliptable mediated expressionism.
* Palm trees-Drealistic, shotin California, Hollywood
context. * scarecrow, realistic concept
u s as agricultu
sound * gentle, calm strings instrumental start
score at a music
of increases as they realize its
pantomime
ral superpower, performance of man at a fare scarecrow-mediated.
tempo
start -> kissing photo ofg irl. I pulling tooth outwe string real-
-
istic, real idea becomes expressionistic meal a
at choreographed editing a sun rises in fastmotion
exaggerated, unrealistic a few exits in the breakfasts cene realism
swapping ofobjects - playful, eccentric a fence opens in a 'snape * faster edits in second half - becomes more exciting and playful. A montage ofReaton running from dog expressionism
-random playful geometric shapes
+ -a cubism
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